From Visions to Verses: A Captivating Encounter with William Blake
- Marnie Causon
- Feb 6, 2024
- 2 min read
Updated: Feb 13, 2024
-By Gretta Cole
William Blake (1757-1827): Printmaker, Painter, Poet
(image below: 'The Ancient of Days')

In 2019, I had the chance to witness the largest William Blake exhibition in nearly two decades. Although largely unrecognised during his lifetime, Blake left an indelible mark on British art. His diverse and symbolic work often tackled social and political issues, resonating deeply even today.
My artistic journey began in primary school, age 5 years old, thanks to Miss McDermott, who ignited my passion she allowed me to unleash my imagination. Blake became my artistic hero for his unwavering belief in imagination as a tool for individual liberation, a theme I touched on in my blog post on Edward Burne-Jones.
Despite the exhibition's immense size, I was drawn to Blake's "prophetic works," his unique fusion of poetry and visual art in his ‘illuminated books’. These masterpieces were both visually stunning and profoundly meaningful.
Amongst his paintings, "Ghost of a Flea" (1819-20) is a personal favourite. This miniature masterpiece, measuring just 214x162mm, was painted in tempera and gold paint on a mahogany panel. Because of its miniature size I had to get close and be alone to steal my private moment with the flea away from the throngs of onlookers. I hot-footed over to Room 5, I leaned right in, as close as I could without leaving a greasy nose dot on the panel, my gaze locked onto the creature. This wasn't just any insect; its muscular form sent shivers down my spine. The tiny ghost conveyed an abstract and profound message: despite our grand ideas, we are ultimately small and transient. Our self-perception might be skewed, we are not who we think we are!!
Following this encounter, I worked my way back through the exhibition, exploring the vast array of Blake's diverse works, including over 300 original and rarely-seen pieces.
Leaving the exhibition, I carried a renewed appreciation for Blake's genius and his ability to seamlessly blend imagination with reality. He continues to inspire me to continue my art journey, embrace my imagination and challenge the pressure to conform.
If you ever have the opportunity to experience Blake's work in person, I urge you not to hesitate. It is an encounter that will leave a lasting impression.
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'The Ghost of a Flea'

'The Marriage of Heaven and Hell'
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